So it’s to be France v Italy. They say that the most important components of drama are conflict and subtext. This should have plenty of both.
So it’s to be France v Italy. They say that the most important components of drama are conflict and subtext. This should have plenty of both.
Posted by John Lanchester | Permalink | Comments (1) | TrackBack (0)
The function of a World Cup is to produce a masterpiece. Without it,
a tournament can have drama and excitement and passion and all those
other good things, but it lacks the ingredient which keeps it in the
memory for years afterwards. It needs a Brazil v Italy 1982, a Brazil
v France 1986, a West Germany v Netherlands in 1988 (actually that
was the European Championship; same point, though).
Last night we got our masterpiece and...I missed it. I’d gone out for
dinner and taped the game. I still haven’t watched it yet.
On the other hand, I did once stand beside Alessandro del Piero, who scored Italy's clenching second goal last night, at a
hotel check-in. This was ten years ago. I’d gone to Turin, invited by
the Slow Food foundation. The flight got in at night and we went
straight to the hotel. It seemed oddly lively—there was a crowd
outside, the lobby was full of men in suits hanging about, it took an
age to get registered at the front desk, the bloke getting the
attention of both receptionists looked oddly familiar, a bit like
Alessandro del...the penny dropped. Juventus were staying at the same
hotel, on the night before a home game. (Staying in a hotel the night
before a home game was once seen as a ridiculously decadent foreign
practise; now all the Premiership teams do it.)
Therer were a remarkable number of hangers-on attached to Juventus—
agents, journalists, advisers, middle-men of one sort or another.
They all seemed to spend all their time in the lobby, waiting for
whoever or whatever it was they were waiting for. The area where they
did this was directly opposite the lifts, so every time you went down
in the lift, as the doors opened, you would see a little surge of
expectation as the doors opened, followed by brutal disappointment,
mirrored on every face, as they realised it was just some civilian.
It was a lesson in just how much disappointment it’s possible to
cause simply by being oneself.
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Fred Trueman's death on Saturday made me think, as I often do, of his
old team-mate Ken Taylor. Ken played in the great Yorkshire team of
the late fifties, the one captained by Brian Close; he opened the
batting, came on to bowl at the first change, and was the star
fielder. In fact he was the only fielder in front of the wicket on
the off side when Trueman bowled. (When Geoff Boycott came into the
team as a young 'un, he—Boycott—was at first a lousy fielder. By his
own account, he asked Taylor to coach him, which Ken did, and that
was how he became the competent fielder he remained throughout his
career.) Ken played cricket for England a few times. He was also a
professional footballer; he was centre-half for Huddersfield in the
days when they were a first division team. Today he would be rich and
famous. As it was, he played during the period of the maximum wage,
and made enough money to live on while he was playing, but no more.
After his retirement he trained at the Slade and became an art
teacher. That was how I met him: he arrived at the school I was sent
to in Norfolk about the same time I did. At the age of 10 he taught
us football, and at the age of 16 and onwards, cricket. He taught us
art, too, or those of us who were teachable, a group which didn’t
include me.
I often think of Ken Taylor when I’m watching sport. I think of him
when I read about players earning £100,000 a week, and wonder what he
thinks about that. The sums seem obscene to me; they seem obscene to
a highly well paid recent pro like Waddle; God only knows how they
must strike someone whose salary was legally held down to below that
of a skilled manual labourer.
He taught me very many specific things, from how to
block a low skidding shot at football to how, if you’re fielding in
the covers, you should start square of the wicket and gradually move
round as the batsman gets his eye in and the ball gets softer and
slower. High-level sport is all about detail; we were playing the
opposite level of sport but his eye for detail was the same. His art
was like that too, very precise. He was a warm man who gave little
praise, but when he did praise you remembered it.
Since I began writing this, I Googled Ken and learnt a few things I
didn't know, one of them being that the man who admitted him to the
Slade was Sir William Coldstream. I also learned that the manager of
Huddersfield when he played for them was Bill Shankly (and that Ken
had an England Under-23 cap in football, to go with his cricket
caps). Blimey. So he played cricket with Brian Close and Fred
Trueman, was coached in football by Bill Shankly, and was taught to
draw by William Coldstream.
One of my most vivid memories of Ken is from my last year at school,
my second in the cricket first XI. We were unbeaten for the whole
season, and only had one close squeak when, in what should have been
a drawn game, our batting for some reason collapsed. Everybody
suddenly got out to crap shots. I was left at the wicket with Eddie
Thorne to bat out the last hour or so. (I liked Eddie; he and I were
hockey fullbacks in the second team. His dad and his uncle were a.
identical twins and b. generals in the British Army—though one of
them was a brigadier and the other a major general.) It was tea time
and there would have been a few hundred people watching. We blocked
out the hour. I faced the last ball, and no doubt over-excited by
having ‘saved the game’, waved my bat over my head after I’d done so.
Eddie and I came off the field feeling pleased with ourselves. I
thought this would be an occasion when Ken Taylor gave some of his
rare praise, but I was wrong. When I went in the dressing room, he
shook his head, and then said the single most revealing thing I’ve
ever heard about the psychology of professional sport. Remember he’d
learnt his football from Bill Shankly, and been a member of the
Yorksire side which won the County Championship seven times; he was a graduate of two very hard, and very successful, teams.
He said:
‘When you celebrate like that, it makes you look like you didn’t
think you could do it.’
Not a school of thought which has many adherents these days.
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If you spend some time out of the country, or reading other
countries’ sports pages, what you notice when you come back to
reading ours is that English sports writing is compulsively
moralistic. Everything is seen as a moral issue. Victory is a triumph
of character and will; defeat is a failing of character and will.
This theme is always present in the way people talk about sport, but
no-one stresses it as remorselessly as we do. Look at the New York
Times or L’Equipe and you will occasionally encounter the idea that
one team beat another because they were, you know, better. The main
reason one football team beats another is because they are better at
football.
At least, that’s what I usually think. But the England team’s
performance in this World Cup has been a severe test of my view. It’s
hard not to see their failure as in some sense a failure of
character. Richard Williams is very firm-spoken on this point in
today’s Guardian. He says that England got what they deserved, and the reason Hargreaves—who was born in
Canada and moved to Germany at 16—was England’s best player is
because he’s never lived in England.
I find the idea that they’re a bit spoilt hard to dismiss. They look
and act spoilt. But they don’t look as if they’re not trying, and
there was nothing fake about how upset they seemed to be on going out.
I know—let’s blame the Swede.
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1. I can’t remember exactly where it is but there’s a great moment
somewhere in Beckett where someone launches their boot ‘among’
someone else’s testicles. Christopher Ricks used to cite this as an
example of Beckett’s brilliant use of dead-seeming language. Wayne
Rooney probably isn’t much of a Beckettian (or a Ricksian, come to
that) but he certainly knows how to put his foot among an opponent’s
goolies.
2. When was the World Cup last an all-European affair at the semi-
final stage? I'll have a nerdy look at the reference books later, but
off the top of my head I can’t remember when. Does this make it less
interesting? Probably it does, a bit.
3. I now want France to win for a whole set of reasons. The non-
footballing ones are that they are the most racially mixed team left
in the competition, and also that they are the oldest. These days I
find it important to support the oldies. The footballing reason for
supporting them is that they come closer than anyone else to playing
the beautiful game. And then there is Zidane, who is both a
footballing reason and a non-footballing one.
4. Footynomics: Portugal v England was the third example of a
smaller, poorer country beating a richer, more populous one. But it
was on penalties, so I’m arguing that it doesn’t count.
Note that in one sense England’s penalties were better than
Portugal’s. Two out of four of theirs missed the goal altogether; all
four of England’s were on target. Normally that would be enough to
win you a shoot-out. But Riccardo guessed the right way to move every
time, even on the penalty Hargreaves scored and (if memory serves) on
the one Carragher put in and then had to retake. So perhaps ‘guessed’
is the wrong verb. I don’t think I’ve ever seen a keeper move the
right way on five consecutive penalties. This makes it official: God hates the England football team.
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